PLYMOUTH — He was the most popular film star of the 1920s, routinely outpacing comic rivals Charlie Chaplin and Buster Keaton at the box office.
He was Harold Lloyd, the boy next door who could wind up hanging from the hands of a clock high atop a skyscraper. Audiences loved Lloyd's mix of visual comedy and thrilling adventures, making him one of the most recognized icons of early Hollywood.
See it in person when "The Kid Brother" (1927), a feature-length film regarded as Lloyd's masterpiece, is screened on Thursday, Feb. 12 at 7 p.m. at the Flying Monkey Moviehouse and Performance Center, 39 S. Main St., Plymouth.
The screening, the latest in the Flying Monkey's silent film series, will feature live accompaniment by Jeff Rapsis, a New Hampshire-based composer who specializes in creating music for silent films.
General admission is $15 per person. Tickets may be purchased online at flyingmonkeynh.com or at the door.
In "The Kid Brother," meek country boy Harold Hickory (Lloyd) looks up to his tough father, but is overshadowed by two burly older brothers. When a traveling circus brings trouble to town and possible disgrace to the Hickory clan, can Harold save the family name?
From that simple situation, Lloyd weaves a roller coaster of a tale that critics and film historians say show him at the height of his powers as a filmmaker and comedian.
"The first silent film I ever saw that made me actually stand up and cheer," wrote critic Steven D. Greydanus of The Decent Films Guide. "As a first introduction to silent film, I would pick 'The Kid Brother' over the best of Chaplin or Keaton every time."
"Unlike Chaplin’s Little Tramp, who was as much defined by his bizarre eccentricities as his bowler and cane, Lloyd’s character, with his trademark spectacles, was an instantly likable, sympathetic boy-next-door type, a figure as winsome and approachable as Jimmy Stewart or Tom Hanks," Greydanus wrote.
The film co-stars Jobyna Ralston, Walter James, Eddie Boland, and Constantine Romanoff.
Harold Lloyd, along with Chaplin and Keaton, stands as one of the three masters of silent comedy. Though Lloyd's reputation later faded due to unavailability of his movies, the recent rerelease of most of his major films on home media has spurred a reawakening of interest in his work and a renewed interest in theatrical screenings.
"Seeing a Harold Lloyd film in a theater with live music and an audience is one of the great experiences of the cinema of any era," said Jeff Rapsis, a New Hampshire-based silent film musician who will accompany the film.
"Films such as 'The Kid Brother' were designed for a specific environment. If you can put those conditions together again, you can get a sense of why people first fell in love with the movies," Rapsis said.
For more info, call 603-536-2551.


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