To The Daily Sun,
This is not to cause any grief for our valued poll workers, but there is a problem in my opinion. My vote is very valuable to me and the same for Betty. My understanding is there were no write-ins for Ward 5 councilor in the primary. I will be honest, as the day progressed we decided that we knew the outcome in Ward 5 so we continued on with our day. The people including us, deserve to know that every ballot is counted. When there is something foreign to the completed ballot — such as a "write-in" — the ballot will be kicked out to the side. Those ballots still need to be counted as to why the kick out! Obviously this did not happen, and if I had voted and wrote in a name to give the voters of Ward 5 a choice for city councilor in November election I would DEMAND my write-in be part of the count.
If the city clerk knows of this shouldn't "the box" be opened with a room full of witnesses — not for a recount — but to examine the ballots that were segregated? Or will this primary go down as a black mark for Laconia elections?
Last Updated on Thursday, 19 September 2013 10:06
To The Daily Sun,
This is in response to Bernadette Loesch's letter in the September 12 Sun:
Bernadette, I have to say I find your take on the GOP's motivations in regards to voter rights to be interesting, if misguided and uninformed. Your take on the Supreme Court's decision to strike down one provision within the Voting Rights Act as a repeal of voting rights laws and protections is paranoid at best. Either you didn't understand Section 4 of the Voting Rights Act, the Supreme Court decision, or both. This is something I have addressed below, but first let us go over the points you brought up in your letter in the order you presented them:
1. "We are witnessing many, many states cut back on the number of days for registering to vote." Really, which states? Even with the so-called 'Motor-Voter' laws out there that allow registering to vote on the day of the election? As long as the person registering to vote can prove they live where they say the live — the same criteria required for 'regular' voter registration — then how is this a problem?
2. "Requiring a valid I.D. in order to vote." Everyone should be concerned with voting and maintaining the legitimacy of elections at local, state and national level. When ineligible people can vote with impunity it puts the entire electoral process into question. Those ineligible to vote include non-citizens, convicted felons (unless they've had their voting rights restored by the court), non-residents voting in districts where they do not reside, and those voting using absentee ballots that aren't theirs. Having to show an ID to prove you are who you say you are is a means of ensuring the legitimacy of the process. Valid IDs are NOT difficult to obtain despite claims to the contrary. Remember, you already have to have them to cash checks, receive government benefits, apply for credit, register to vote, and a whole host of other activities that no one seems to find burdensome.
3. "Many voter district lines have been redrawn (better known as Gerrymandering) in order to assure that a particular senator or representative doesn't have a snowballs chance in hell of having an honest race with real competition from the other party." This has been going on since 1812. Every 10 years district lines are redrawn to reflect the change in population as defined by the census. If you think it is only Republicans Gerrymandering, you are sorely deluded. Democrats are just as good, if not better, at redrawing district lines to benefit their party while locking out the opposition. In fact it was Democrat Elbridge Gerry, governor of Massachusetts, who redistricted Massachusetts to benefit his party. This is where the term Gerrymander comes from.
4. "Some states cutting back on 'Vote by Mail'." No, states aren't cutting back on absentee balloting (the so-called 'vote by mail'). Where did you got this idea, out of thin air? What states are trying to do is to improve the system. There are two problems involved with absentee voting at present, both which disfranchise eligible voters: fraudulent ballots obtained by using someone else's name; and absentee ballots not being sent in a timely fashion, which prevents them from being filled out and returned by the due date. This last one has been a problem for a long time and particularly for members of our armed services, denying them their constitutional rights, the very same rights they are protecting.
5. "Assigning 'Poll Watchers' to make sure that only people qualified to vote are able to cast their ballot." You act as if this is something new. It is not. It has been around for a very long time, is not a partisan device, and is used in places where voting fraud has been a problem. In some cases poll watchers have been court-appointed in districts where rampant fraud and voter intimidation has affected elections. (Philadelphia's 20th Ward during the 2012 election is but one recent example.)
Let me ask you the following, Bernadette: If voter ID is such a bad thing, then why do a large majority of the American people (75 percent) support it? This is according to a Washington Post poll run back in early August. (You can look it up yourself.) You accuse the GOP of "trying to eliminate as many voters as they can", yet all they really want to do is reduce the number of ineligible voters from committing voting fraud. How is that a bad thing?
The five things you listed as "evidence" of "borderline voter fraud on a massive level" are indicative of your ignorance of history as they have not been a GOP-only issue by any means. They are are not evidence of any wrongdoing by either party.
As I mentioned at the beginning, I must address your mistaken belief that the U.S. Supreme Court has gutted the Voting Rights Act. Only one part – Section 4 – was found to be no longer relevant and unconstitutional. It required only some states — not ALL states — to put forth to the Department of Justice any proposed changes to their election laws. Why should such a provision pertain to only a few states and not the rest?
Back when the Voting Rights Act was passed (1964) some states had laws that made it difficult, if not impossible for black Americans to vote. The states listed in Section 4 were sanctioned in order to make sure that any changes in their election laws did not disfranchise eligible voters for any reason, and particularly race. Those states now have some of the highest voter turnout rates for minorities in the nation. So why did they still have to submit changes to election laws to the DOJ? That was the argument brought before the Supreme Court in Shelby County, Alabama v. Holder, Attorney General. This is 2013. Stop acting like we're still stuck in 1963 and that Jim Crow still holds sway in the South. Or do you have so little faith that we've somehow managed to move past that part of our history and that minority voters will once again be locked out of the voting booth? If you do, then the problem is with you and not the rest of the nation, and certainly not the GOP.
Dale Channing Eddy
Last Updated on Wednesday, 18 September 2013 10:44
To The Daily Sun,
The Arts in New Hampshire would be nothing without the summer playhouses (i.e. Winnipesaukee, Streetcar Company), live performance centers and film theaters that once dotted the landscape in the Granite State in their heyday. Fortunately for us, the Lakes Regions' towns and New Hampshire in general have many performing arts theaters, some of which remain today, thanks to kind-hearted owners/ donors, philanthropists and "patron lovers of the arts." One merely needs to look at the town history in Plymouth, Lebanon, Keene, Manchester, Concord, Franklin, Portsmouth and Bethlehem for starters. They have taken the initiative and follow-through to restore the historic structures of old that once fostered the performing arts in the earliest days of New Hampshire's grandeur and socialization. I will revisit my hometown of Pittsfield, Mass in November for a performance of Gordon Lightfoot at the newly renovated Colonial Theatre that was for decades an uncomely faux-fronted art and painters supply store called Miller's. My children and I attend the shows in Keene, Lebanon, Plymouth and Concord, N.H., these days, where one cannot help but look up at the chandeliers in each one and admire the elaborate and intricate ceiling art and brilliant colors before the performances begin. The "full house lighting" entices you to focus on and appreciate the ambiance of the magnificence Capitol Center as if it was being dedicated for the first time each time one visited for the St. Paul's School Nutcracker performances of the past. There are various "Colonial Theaters" around the country, many of which remain dormant and dark to this day. They are ubiquitous. They were not merely "theaters" as we think of in cinema, but stage performance venues for live shows with noted acts. In Franklin, N.H., the efforts of many advocates have resulted in a magnificent hall that harbors an array of musical performances from folk to dance to plays and fundraiser/0benefit shows. I have had the privilege of performing there (guitar/vocal) in the past for a local annual talent show designed to raise money to replace the balcony seats and an egress to meet the local safety codes. Volunteers did it. They accomplished that based on a show I just attended there in 2013. I must say that the acoustics of the room were the best offerings I had ever played in, in years. But the little city of Franklin did it! Yes, Franklin!
Today, that same Franklin Opera House (FOH) thrives with local support and has attracted, with renewed vigor, a downtown crowd and an "local lakes area patron following". Once harboring the police station's needs in the "green room", the newly renovated facility now resounds with music, applause and laughter with comfortable seating and sellout crowds. Kudos to a caring Franklin, N.H. Local restaurants grew and thrive around the theater, especially on performance nights, pre and post shows. Even Tilton's eateries benefit.
In Laconia, on Main Street, there is a "Colonial history" as well, its marquee and interior longing for the name and the sounds of live music, theatrical plays, summer-stock "On Golden Pond" performances, an opera or a Hal Holbrook "Mark Twain Tonight" impersonation. The same level of performers at the Flying Monkey (and at the Silver Center) in Plymouth could be at The Colonial — economy boosters. Congrats to Alex Ray for his insight and success to date in Plymouth with The Flying Monkey – a gamble that paid off for a noted restaurateur who was hesitant about going for live shows! He succeeded. The Colonial Theater is more than a memory; it's a building asking for compassion, love and revitalization. It begs to be the next Capitol Center for the Arts and downtown Laconia needs to embrace it to survive financially and culturally. With historic theater restorations come supportive restaurants, cafes, bars and nightlife. That alone fosters new patrons and revenue for downtown merchants and the city, like spokes radiating from the hub of a wheel or a symbiotic relationship like ants on a peony plant. The peony may never flower without the ant that helps the bloom. We are the ants and the theater is the flower!
The Laconia Colonial Theater was once referred to, in 1915, as "one of handsomest play-houses in New England." Benjamin Piscopo built the theater in 1913-1914 and it accommodated 1,400 people in comfortable seats of a renaissance era. Main Street and Canal Street stores did not flourish until the theater was opened, a feat that could happen again if desired and supported by the masses. Canal Street was merely a conduit between Beacon and Main back then. The famed Perley Canal (#10) runs beneath part of the famed theater, for back then it was a planned aqueous diversion from the Winnipesaukee River to the Laconia Street Car Co. buildings, now a vibrant condo complex that ultimately saved those historic structures and bricks from the wrecking ball.
One historical reference cites that the stage at The Colonial was used for recitals, meetings, high school graduations and cooking classes. It operated for 86 years, fostering entertainment in center city. It harbored movies, vaudeville shows, the music of John Phillip Sousa and most notably, the "world premiere" of the movie, "Return to Peyton Place" in 1961, based on the novel by a local author, Grace Metalious. The world premiere, not just the U.S. premiere. Circus performances traversed the stage as well. Elephants they say!
In 1952, The Colonial Theater was host to the premiere of the Greater Laconia Home Cooking School series. Miss Madeline D. Linehan, a Julia Child or Rachel Ray of sorts (because of her apparent captivating personality), taught the virtues of homemaking and cooking that attracted a dedicated following of ladies to the auspicious stage venue.
From 1980 to 2000 we know that the theater operated as a movie theater, finally subdivided into five removable sections like a Cinema 8 appealing to the diversity of films offered and moviegoers' desires to have a cinema selection for both adults and children locally. In 2003, a New Durham couple tried valiantly to revive it as a movie theater/pizzeria. (I moved to the Lakes Region in 1999).
That moment in 2003 was inspiring to all of us, especially when the marquee was re-lit, as if on Broadway. The lights dimmed and died shortly thereafter for movies alone could not sustain it. "Live shows" were needed! And still are! Sadly, that was probably not what the theater cried out for ... it probably "screamed in silence" for live performances, the same shows that we attended each year for the Frates Creative Arts Center annual dance recitals for my daughter, but relegated to a Gilford Middle School auditorium venue. Broadway North's dance recitals/performances were placed in Gilford as well when if fact they both might have been "Colonial potential" and held "in Laconia" along with high school concerts/choral presentations by Debbie Gibson. Frates's studios are on Canal St., a few steps away — advocates of the live arts to this day.
What resulted from the segmented cinema renovation was the partial elimination of the Colonial's historic interior, plush seating and the ability to stage live stage shows with noted acts of interest, both national and local acts. Live performances (on stage) died in the 1960s, history tells us. One theater patron remembers beautiful, glowing purple nightlights, and another friend of mine remembers, as a child, a "Raggedy Ann and Andy" performance with live, over-sized, costumed actors who accompanied a cinematic film presentation with the same characters. The stage engaged the patrons and the elegant lobby beckoned you in! Long hidden or gone today in the theater are the cranberry-colored drapes/curtains and gold-leaf stage front moldings and the "stage right and left" balcony seating for side views of live shows, never mind the warmth and "ambiance" as depicted in a 1914 colored postcard I found that made me wanderlust back to the days of Laconia's passion for the "live" arts.
With the passing of the Laconia opera houses, the Colonial remains one of the last bastions of the "arts" that can still be saved to this day. If Franklin, N.H., could achieve it, Laconia can take pride in knowing that this city can do the same with a larger population of residents, some 17,000. The last revitalization of the downtown was in the mid-to-late 1960s; the same urban renewal project that razed critical historic buildings that older residents and I personally wished were still preserved today for posterity. Ancient postcards on a Weirs Website don't suffice and historic photos in a Warren Huse history book don't appease us. Community action does! The Colonial art deco marquee now hangs(ominously and threateningly over people) in desperation, with missing or burned out bulbs. Delivery trucks uncaringly park nearby or occasionally brush the ornate edges, causing the hand-tooled metal filigree and molding to tear open in ragged fashion unbecoming and insulting to its rich heritage. A haphazard aluminum shield, poorly constructed, covers the ornate art.
How sad is it that no one will champion the efforts to save the Colonial! No specific plan seems to be in order even after consultants were hired and meetings were held with residents passionate in saving her — some 200 at the first meeting. Don't tell me it is not feasible — 8 to 9 other towns did it!
Rhetoric rains prevalent (something must be done you say!), but actions are nonexistent, yet the downtown cries out for business and patrons — the patrons a "new Colonial" would foster and grow. In the next 2013 mayoral or official election in November, pick the person(s) who supports her renovation. Ask them what they will do to save the theater and revitalize the downtown. If they say nothing positive, don't vote for them! Hold them and the City Council accountable. Apathy is a disease and it's rampant. It is "music and the arts" that attract the locals and Lakes Region visitors (year-round); those desiring a vibrant nightlife and community atmosphere in summer and winter. With few exceptions, there is little of either in the city's heart today. The cure to what ails the "arts" is standing right before our eyes at 615 Main. Save the Colonial and light the marquee brightly before it can no longer be saved and lit. It is Lakes Region history and relegated to limbo, but should be the priority and responsibility of all of us and this city's management to resurrect its soul before the heartbeat subsides. A transfusion is needed. Think about what "you" can do personally to help save her, and the downtown.
Last Updated on Wednesday, 18 September 2013 10:37
To The Daily Sun,
It was recently written that the "Northern Trespass" documentary on Northern Pass will play at the Franklin Opera House on Friday, September 21. It should have said Saturday, September 21.
Last Updated on Wednesday, 18 September 2013 10:24
To The Daily Sun,
Nick Vazzana's letter regarding low wages was spot on. It is just amazing what has happened to American workers since the 1980s. I remember making $9 an hour running a lathe 30 years ago and I still see jobs starting around that or a hair more. Nick mentioned McDonald's but the chief offender is Walmart.
Walmart makes government all the fatter. Casino capitalists don't know or don't want you to know that every Walmart in America costs the people about a million government dollars from social programs that these same casino capitalists want to destroy. Because of the low wages Walmart pays, the majority are eligible for Medicaid, food stamps, WIC, rent help and more. Because Walmart refuses to pay a decent wage, YOU pay it for them. That is capitalism? Throwing the worker onto the dole machine? Helping people in need shouldn't be due to greedy parsimonious corporations.
Last Updated on Wednesday, 18 September 2013 10:20