ART: In it's second year, Meredith Sculpture Walk has grown to 32 works

MEREDITH — In its first year the Sculpture Walk has grown from 24 works by 17 artists to 32 works by 22 artists and now stretches from Lake Street to Pleasant Street while making a loop through Mill Falls Market Place and Hesky Park.

A baker's dozen of the sculptors who exhibited last year have returned and four works displayed a year ago — "American Dog" by Dale Rogers of Haverhill, Massachusetts, "Meditiation Bell and Arch" by Larry Elardo, "Black Sailboat" by Steven Hayden and David Little of Meredith, "Red Wing" by Hugh Gibbons of North Falmouth, Massachusetts and Hayden's "Spirit's Daughter" — are standing for a second season.

Among the newcomers Judy O'Donnell of Falmouth, Maine, who works with steel, has offered three works, each abstracted from the natural world — "Ladybird," "Yellow Jacket on Flower" and "Cormorant". The bronze yellow jacket alighting on elongated lilac petals skillfully captures the industry of the insect and languor of the flower.

Beverly Seamans of Newbury, Mass., another exhibiting for the first time, also has three works on the walk. Two, "Osprey," fashioned of bronze and bluestone, and "River Otter," a bronze, are drawn from nature. Standing tall, with a fish clenched between its teeth, the otter depicts the predatory and playful character of the species. Her third piece "Wendy," a bronze of a young girl with a book in her lap, sits beneath a tree near the bookstore, raising memories of Copenhagen's "Little Mermaid."

Using found objects, Richard Foster of Bristol, New Hampshire has fashioned two whimsical pieces, "Utterly Green," an abstract ruminant with a green udder," and "Ribbit," an outsized frog with a pendulous tongue. "Insight Out" and Macroscope," made of iron and steel by Conrad Levenson of Stanfordville, New York, challenge the imagination to interpret the circles at the centers of his work.

Bruce Hathaway of Richmond, Vermont has graced Scenic Park with "Alchemy of Time and Fire," an ethereal, blaze of entwined aluminum rods rising from a shimmering plate. Working with stainless steel, Tom Sleeper of Belmont, New Hampshire has conjured "Winnipesaukee Monster," with the flat shell of a sea turtle, long neck of a swan and blank stare of a deer in the headlights as well as a naturalistic, colorful pileated woodpecker.

With a mix of traditional Yankee thrift and uncommon ingenuity, Patrick Plourde of New Gloucester, Maine has used the blades of shovels to create a reminder of his Pine Tree State, a pine cone astride a twig.

With concrete and odd bits and pieces, including a drain pipe, Joe Chirchirillo of North Bennington, Vermont has concocted "Slide Mountain," an asymmetric abstraction recalling a U-bolt gone awry, suggesting nothing so much as disconnection and dysfunction.

The polar bears, mother and cub, perched together on a shrunken piece of ice, entitled "The Dsicarded," by Morris Norvin of Boston, promises to be the most eye-catching of the 32 sculptures. Made of steel barrels and finished with an blinding silver paint, his work depicts both the majesty and pathos of these rulers of the Arctic and even the bleakness of their shrinking environment while displayed on the grass of Hesky Park in Bright sunlight.

The returning artists with new works include Josie Dellenbaugh of Glastonbury, Connecticut returns with "Japanese Mother and Child", bronze inspired by the earthquake and tsunami that swept northern Japan. Stephen Green of Lee, New Hampshire offers "Getting There", a twisted piece of carved granite quarried in Mason. Last year John Bon Signore's "Toe Dancer" in stainless steel was a favorite and this year he has brought "Toe Dancer 3A," who is pirouetting on her other foot. leg. Gordon Frost of Salisbury, Massachusetts works with recycled rebar and last year offered the hunted in the form of "The Buck," and this year offers the hunter — "El Lobo".

Joe Gray of Pittsfield, New Hampshire has entered "Taking Flight," a rising heron carved from bluestone and granite; Jospeh DeRobertis of New London has returned with a foraging dragonfly of copper, steel and stone. Once gain harnessing the wind, Drew Klotz offers a new kinetic sculpture, "Icarus," relentlessly driven by the breeze. With forged steel Little has sown a patch of "Spring Fiddlehead" while his sometime partner Hayden has embraced a disc of colored glass in arms of stainless steel to create "Lover's Light".

A brochure, with a walking map, photographs of the sculptures and directory of the aryists is available at several locations in downtown Meredith. Enjoy!

Special children's activities at 82nd Annual Craftsmen's Fair

NEWBURY — With a combination of hands-on activities, displays of handmade craft, an emphasis on children's activities and workshops, and the chance to interact with craftsmen, the League of NH Craftsmen's 82nd Annual Craftsmen's Fair gives everyone a chance to learn and experience something new. The longest continuously running annual crafts fair in the nation, the event draws more than 30,000 guests each year and features more than 350 craftsmen. The Fair runs Saturday, August 1, through Sunday, August 9, 2015 at the scenic Mount Sunapee Resort in Newbury.

From modern to more traditional styles, the Fair features more than 200 booths of fine craft. The Fair boasts daily craft demonstrations and workshops, fine craft exhibitions, free tours and seminars, and entertainment. This year's fair will have a special focus on children, including an all-day pottery school and lessons on the use of woodworking tools. For a full schedule of events and activities, please visit

The Fair's lead sponsor, the Mount Washington Cog Railway, will host an on-site display of the historic Peppersass Cog Railway train engine—the first mountain-climbing cog railway engine in the world, built in 1866. The train was handcrafted in New Hampshire and is a product of 19th century technology and modern innovation. Guests will get the chance to snap photos with the historic engine, and learn about its storied history. A film, Mount Washington Cog Railway: Climbing to the Clouds, will be shown daily.

The "Next Generation" tent features work by children who are related to or sponsored by the League's juried craftsmen. The Next Generation tent gives budding craftsmen the chance not only to showcase their work, but to gain valuable entrepreneurial experience. 

On Thursday, August 6, the Fair will be open until 8 p.m. to give visitors more time to shop and enjoy the activities, and admission is $5 after 4 p.m.

A Collectors Seminar on Monday, August 3, will give experienced and aspiring collectors alike the chance to learn the ins and outs of collecting. Sarah Chaffee, owner of McGowan Fine Art Gallery in Concord, and collector Bill Stelling will lead the seminar.
The 82nd Annual Craftsmen's Fair is open 10:00 am to 5:00 pm daily, rain or shine, August 1st through August 9th. Admission is $12 for adults; $10 for seniors, students, active duty military (with ID), and groups of 20 or more (per person). For group ticket sales please call 603-224-3375. Admission is free for children 12 years old and younger. Admission includes access to all exhibitions and demonstrations; tickets for a second return day are available for an additional $5. Purchase tickets online at Parking is free.

Amy Prendergast: Born to be an artist

By Mike Mortensen

LACONIA — You could say that Amy Prendergast was born to be an artist, but it has taken decades for that innate gift to reach full flower.

Prendergast recalls how her mother remembered Amy picking up a pencil and doodling when she was still a toddler. "I've been drawing ever since I could remember," she said.

Her interest in art continued, and by the time she reached high school in Rumford, Maine, it had grown to the point that she was asked to paint three murals for the school.

But for Prendergast, who describes herself as a lifelong entrepreneur, other interests and projects occupied her time. She has run a home-cleaning business, and for a time operated a hair salon.
But now Prendergast is giving her time almost exclusively over to her art.

"Art is my biggest passion and my outlet," said Prendergast who has turned a back room in her Dolloff Street home into a studio.

A self-taught artist who readily admits that her talent is developing — "The more I paint, the more I will evolve as an artist" — finds herself drawn to subjects in which water plays a prominent role in the scene.

It was just such a painting, one featuring her bikini-clad niece admiring the water cascading over Profile Falls in Bristol, which recently won the People's Choice award at an exhibit sponsored by the Lakes Region Artist Association. The painting, titled "My Zen," remains on display at the VynnArt Gallery on Main Street in Meredith through Aug. 2.

The use of the word "zen" — sometimes defined as a total state of focus that incorporates a total togetherness of body and mind — in the painting provides a key to understanding how Prendergast gets her artistic inspiration.

"It gives me a zen feeling when I paint water," she said.

Another one of Prendergast's recent works is "Wave," which shows a wave crashing on the shore. That painting, which won an Artist of the Month award, is now on exhibit at the Laconia Public Library through the middle of August.

Prendergast credits the Lakes Region Artists Association with supporting artists such as herself. The group gives artists a way to network with others, and Prendergast finds the organization's monthly workshops extremely helpful.

For Prendergast the best way to improve artwork is to keep painting, and especially to create pieces to capture a moment that have deep meaning for her personally.

Prendergast has gone through phases of subject and color. She started by painting landscapes. Now she has found a niche in painting the human figure and water.

Back in 2009 she happened to take a photograph of a bird swooping down to grab something to eat over the water at Bartlett Beach in Laconia. She submitted the photograph to the Concord Monitor which at the time was running a contest for wildlife photography. The photograph was selected as a winner and it was printed in the Monitor.

Now, these six years later Prendergast has taken that photograph is put is on canvass.

Prendergast says that he often paints from photographs she has taken. But, though she works from the photograph, she gives the scene her "own spin" as she puts the brush to the canvass.

Her hope is that people will see in her work what "I can see".