Canal Street businesses celebrating on Wednesday evening; Frates Center marks 40 years in business

LACONIA — Businesses along quaint Canal Street in downtown Laconia are celebrating a number of milestones on Wednesday, July 29 with music and open houses from 3 to 7 p.m.

Melissa McCarthy is celebrating her 1,000th day at The Studio. Bead Devine is marking one year in business. Daub's Cobbler Shop (Jim Daubenspeck) is celebrating the purchase of a building for its new location. And Frates Creative Arts Center is celebrating 40 years as a Lakes Region business and creative arts tradition.

The Frates Center began in a home basement art studio and then moved to the lower level of the then Sundial Shop in the middle of downtown. The next move was to Canal Street and that was followed, two years later, my a short move to the Tavern Mini-Mall, where the art studio combined with the Creative Dance Studio to become Frates Creative Arts Center.

The Frates Center moved back to Canal Street when the Mini-Mall was purchased by the Laconia Housing Authority to house the Laconia Senior Center.

Now located in the side entrance to the Colonial Theater building and in the former home of Paquette Sporting Goods, the center continues to offer art, dance, magic, puppet and acting classes, as well as Paint Along Parties, Art To You classes and caricatures.

Since the original move to the Sundial Shop building, points out Larry Frates, the center has remained dedicated to downtown Laconia as the heart of a vibrant community.

This summer and fall, Joan and Larry Frates will again be offering special events, classes and celebration-related activities. For details and times visit www.fratescreates.com or call 528-7651.

Lakes Region Art Association Marks 75th anniversary

LACONIA — The Lakes Region Art Association which is celebrating its 75th anniversary this year is compiling a video to trace its history, according to Roger Gagne, a member of the group since 1960.
Gagne, whose basement studio at his home on Morrill Street in Gilford is filled with several ongoing projects, paintings by his fellow artists and dozens of first place blue ribbons and several yellow best in the show ribbons from local art association competitions, has a different approach to painting that many other local artists.
A 1950 graduate of Laconia High School who served in the U.S. Air Force and earned degrees in mechanical engineering and architecture at Oklahoma State before returning to his home state where he worked as a designer at International Packing, (now Freudenberg-NOK in Bristol), Gagne, uses his architectural background and attention to detail to great effect in his paintings.
''I decided to drop put of the art association competitions because Larry Thibeault and I were winning all of the awards,'' says Gagne, whose current projects include a historically accurate presentation of the Hathaway House as well as what could only be called ''Time Traveler'' views of Canterbury Shaker Village in its heyday in the 1890s and of Laconia Country Club from the 1920s to the present.

Gagne is helping with the video that the association is producing and has compiled an outline of the history of the association, which was originally known as the Laconia Art Group and was formally founded in 1940 by William Robertson, Wilfred Marsland, George and Harriet Booth and John Hoyt.
He says that there have been many noted artists who have been members of what would become the Laconia Art Association around 1973 and expanded to become the Lakes Region Art Association around 2005, including Peter Vuilleumir in 1942 and Bernard Stafford Good of Gilmanton, a noted artist who worked with Doubleday Publishers, the Saturday Evening Post and worked extensively with NC Wyeth, who joined in 1952.
Edward ''Ted'' Ray of Gilford, who had retired from his Boston studio, joined in 1953 and served as director and chaired many of the annual shows in the 1960s and 1970s as well as teaching many of the association's members.
Fritz Robbins of New Hampton, a colorful artist who was well known for his etchings as well as his oil paintings, joined in 1954, as did Loran Percy of Gilford, a photographer, artist and teacher whose Lakes Region landscapes would win him numerous awards in art association shows.
Other notable artists joining the group included Bob Montana, creator of the Archie cartoon strip; Bill Krug, well known cartoonist and watercolor and gouache artist; Peter Hall, a Meredith teacher and gallery owner and Bob Erickson of Bristol, a New Hampton School teacher who worked with charcoal and watercolor.
Long tenured presidents of the art association have been Dorothea Hilliard Freysinger (1952-65), Beth Ide 1967-70 and 1975; Rita Bolduc 1987-90,, Winnie Hackett (1991-94) and Don Frost (1994-2005).
The association's 75th anniversary show is currently on display at VynnArt Gallery in Meredith and features more than 100 works of art by 56 different artists.
Current president of the association is Jean V. Kennedy, whose work reflect her love of flowers, nature and the outdoors. She was born and raised in England and came to the U.S. as a young woman in the mid-1960's. She worked for Columbia University in New York as a research administrator for many years before moving to Louisiana with her husband. She now lives in Gilford with her husband and their two dogs and travels between Louisiana and N.H. each year.
Kennedy says she was greatly influenced by a Louisiana art teacher, Myrna Waters, who taught her to push values and how to better use color and shape in a painting. As an artist she has earned many ribbons and awards by entering competitions both in New Hampshire and Louisiana. She won Best in Show by exhibiting at the art show for the Terrebonne Orchid Society in Houma, Louisiana and last year won an award for best watercolor at the Lakes Region Art Association show.
Long-time vice president of the association is Gisela Langsten of Gilford, who, like Kennedy, was born overseas and took up painting later in life.
Gisela, nicknamed Gila, was born in Berlin,Germany in 1932 has been an artist all her life.
"I liked drawing when I was 10 years old,'' says Gila, who attended art school in Hamburg, Germany, and came to the United States in 1953 and worked as a commercial artist in Chicago before coming to New Hampshire two years later.
She and her husband, Armin, lived on Scenic Road at the Weirs and she recalls being offered a full-time job at Tyler Printing but turning it down because she had two young children. ''We only had one car and working full-time was out of the question.''
She did some free lance work and raised her children and took up painting in the late 1970s, taking lessons with Ted Ray and later with Loran Percy. She concentrated on landscapes, inspired by the natural beauty of New Hampshire. Life drawing with the Artists' Loft added enjoyment and enhanced visual skills.
She feels that by drawing and painting you learn to see, to recognize the objects surrounding you, to enjoy colors and the play of light. In her paintings she tries to convey a moment of peace and beauty, try to catch the moods of lakes and mountains. Much of her work is done "Plein Air", painted on location.
''We used to draw in the Artist's Loft, which was upstairs at the Belknap Mill. When they developed offices there they let us have the third floor but we had to rearrange the room before and after every meeting.'' she recalls.
Those sessions were later moved to the Taylor Community, where the association also now holds its monthly meetings.
Langsten says that after the Laconia Public Library addition was completed the association lost the use of the building for its annual shows and was invited to use space at the Taylor Home. The shows have since moved them to several locations, including Pitman's Freight Room, and most recently VynnArt Gallery.
She says the association has enjoyed remarkable growth in recent years, having seen its membership increase from 78 to 99, and has artists from all parts of the Lakes Region.
Part of her duties include organizing the monthly programs as well as the Artist Loft sessions with live models.
She says that she is content to remain as vice president and has made it plain to her fellow association members that she has no interest in becoming president of the organization.
Langsten say the association will hold a celebration of its 75th anniversary with a banquet at the Wolfeboro Inn on September 19.

Painter, gallery owner Sandy Martin knows art of flexibility

By Mike Mortensen

WOLFEBORO — If there is one thing that has kept Sandy Martin, a painter and owner of the Sandy Martin Gallery, going all these years, it's the art of flexibility.

Martin's first work experience after graduating with a bachelor of fine arts degree from UMass Amherst was an internship in a seasonal gallery in Rockport, Mass.

"I would sit behind a desk and work on my artwork and wait on customers," Martin recalled. "I was fortunate to have that training when I was young; before I knew that (that kind of multitasking) could be difficult."

Eventually Martin would have her own gallery in Rockport. Working primarily in oils and watercolors, she also marketed her work to other outlets, including wholesaling her prints to the Harvard Coop.
In 1987 Martin and her husband moved to Wolfeboro. Today she operates a gallery at 15 South Main St., a venue that offers her the best of what Wolfeboro has to offer. The gallery's front door is on Main Street in the heart of an often-bustling downtown. The back door leads to the Town Docks with a vista of Wolfeboro Bay on Lake Winnipesaukee.

The ever-changing light and the changes of season provide Martin with inspiration as she paints.
But the move to Wolfeboro required Martin to adapt, artistically speaking. Studies after college with New York artists had drawn her to the Southwest style with its preference for warm colors — reds, yellows, and oranges.

"When I got here I quickly learned that people expect the lake to be blue and the trees to be green ... and they want a blue sky," she said.

Her paintings today depict the beauty of scenes on or close to Lake Winnipesaukee.

In addition to Martin's own work, her gallery displays the works of other artists, including photographers, sculptors, and other painters.

Martin says an important criterion she uses in deciding whether to include a particular artist's work for her gallery is that artist's commitment to continuing their artistic education. Continuing education is a priority for Martin, too. She recently attended a workshop led by noted impressionist Alvaro Castagnet. In other effort to broaden her artistic horizons, some years ago she spent time learning set design at Plymouth State University.

Martin said that one big advantage to having her own gallery is she does not have to be constantly looking for places to exhibit her work.

Another advantage comes from the interaction that she gets from customers who come into her gallery, who ask questions and sometimes offer a critique of her work. "That kind of feedback is helpful," she said.

But Martin says while her education and provided her with a lot of knowledge on how to be an accomplished artist, she came out of college completely unschooled in the business side.

"I never took a business course. I have since learned that business management is tremendously important," she said.

As when she did that internship in Rockport, today Martin works on the painting that is on the easel at the back of the studio and breaks away from it when a customer walks in the door.